Chasing Furies (Theme Music Monday)

 

Chasing Furies: probably the best band you’ve never heard of. They were together for one year, 1999, and made one album, With Abandon. But what an album it was. Loosely defined as “alternative rock” (whatever that means), their songs ranged from almost-sappy “Wait Forever” to the achingly melancholic “Fair Night’s Longing” to the unsettling, powerful “Writhe for Hearing.”

“Writhe for Hearing” is the song I most wanted to talk about. Unfortunately, I couldn’t find it on Youtube. I’ve linked to the lyrics, but we all know the lyrics only tell half the story. If anybody finds this on Youtube, Vimeo, or a similar site, please tell me and I’ll post the link.

The song speaks of the desperation of holding on, of keeping faith (in this case, in someone, the unnamed ‘you’ of the song), even when it seems like madness … and the desire-beyond-words of finding some proof, some body, to tell you that you’re not insane.

“I writhe for hearing lunge for seeing/Someone else that I’m not hoping/I’m not crazy/I’m not joking/I won’t let you go”

The chorus expresses this powerfully, as Sarah MacIntosh’s clear voice races through discordant guitar riffs like Alice through a Wonderland hedge maze.

So how does this fit with my writing?  This is Theme Music Monday, so what’s the theme?

For those who don’t already know, my Red Lands series features six normal people dragged out of our world into the darkness between the worlds.  A seventh, Garrett Maines, finds them and guides them west, into the greater danger of a dead world.  His goal is to break into the Red Lands and defeat their master, to save the life of his ex-girlfriend.

This stranger is going toward darkness, into the depths of madness and sorcery, and he’s taking them with him.  But he’s their only guide, their only way home.

Garrett feels that this quest he’s undertaken is right. He believes it. But he doesn’t know it, not in any objective, measurable way. It’s so far out of the real of the normal, out of what even seemed possible, that he has trouble believing it himself sometimes.

But he has to believe it.  When hope fails, so does everything else. When hope fails, we fall into desperation and despair.  When hope fails, we lose sight of the far-away goal and seek what little comfort or escape is at hand, regardless of the long-term consequences.

If The Red Lands has a ‘message,’ it is this: hope is not only powerful, it is necessary.

Needless to say, Garrett has trouble explaining his mission to anyone else, even if they’ve passed through the darkness and into the dead world, even if they’ve seen the impossible, too. And even when they believe him, they sometimes think he’s crazy. Who risks his life to save his ex-girlfriend, someone he broke up with, someone who broke his heart?

Who does that?

Garrett has to stay strong if he’s going to protect his new friends, get them home, and defeat the master of the Red Lands. Staying strong means facing and overcoming his own doubts. Overcoming his doubts means facing up to the madness of risking his life for someone who broke his heart, someone he has no intention of going back to. And “Writhe for Hearing” embodies that struggle.

Advertisements

Did I Have a Dream? (Theme Music Monday)

I’ve always been inspired by music.   I get a lot of story ideas while listening to music, whether I’m inspired by a lyrical fragment (almost always taken out of context) or the overall shape of the soundscape.  I almost always listen to music when writing.  I make a new playlist for every series and listen to it in my car, which always gets me in the mood to write.

Music been a pretty solid constant in my creative life since before I was even really writing fiction.

Right now what I’m focusing most on is Strange Fire (Book Three of The Red Lands).  As many of you know, The Red Lands spans the worlds, beginning on our Earth, continuing through a nightmarish liminal space (the road between worlds), through a dead world already conquered by the sorcery of the Red Lands’ master, and into the Red Lands themselves, a mad purgatory forged by the will of its master, the Red Knight.

Garrett Maines, the main character, sometimes finds himself doubting his sanity.  He stepped into this nightmare journey willingly, to save the life of the woman who broke his heart, the woman he walked away from.   He has to believe that the nightmare is a reality, and that it is a reality he can overcome.

I’ve got several songs on my Red Lands playlist, but the one that stands out most, the one that sums up everything The Red Lands is about is Nocturne by Rush.  Listen to the song, and you’ll get a feel for the madness, darkness, and hope of The Red Lands.

Massive Productivity as a form of Procrastination? Indeed.

Well, there’s nothing like the difficulty of doing something that scares me a little (like writing a short story) to inspire me to get other work done.

In the last two days I’ve written roughly 7,500 words and completely planned out the plot for Red Lands Book 3 (Red Lands Book 2, City of the Dead, is currently with the trusted first reader getting checked over).  I wrote a lot of dialogue (as I tend to do when I’m outlining), and planned out several specific scenes.

Now, granted, I had been thinking about Book 3 for a long time, but I’m glad to finally have a solid grip on it.  My problems in writing Book 2 (City of the Dead) all came out of trying to make it something the series isn’t.  I wrote too many “character interaction” scenes that didn’t have sufficient personal conflict to keep the “fist of broken nails” pace and feel of Book 1 (Toward Darkness).  Once I finally figured that out, I was able to fix it. I don’t think that will be a danger in Book 3 (which I haven’t named yet).

But, to adapt a phrase from Bruce Cockburn, “I was writin’ this stuff to keep from writin’ something else,” namely, the short story challenge I set myself up on.  I don’t know why I’m so nervous about writing short stories, but I am.  But hey, if 3600+word days are the result of my procrastination, I’ll take it.

So, have you ever had that situation, where dodging something unpleasant led, not to laziness and stagnation, but massive productivity?  Is it even worth pushing through to write the short story, or should I just milk it for every massive word-count day I can get?

May Word Count Madness (Plotting and Planning)

Okay, So I want to apologize for not updating sooner, but I was caught in the midst of a whirlwind of creative mojo.  In the first five days of May, 2012, I wrote just under 10,000 words, while working full time, not taking any days off work.  I was absolutely blown away by how much I got written, and I am extremely happy with it.  Not only did I write some final text that’s going to end up in the novels, but I planned out two potential new series and did a great deal of plotting for Red Lands Book 3.

In the intervening days, my writing has slowed, but I’m still more than meeting my 250 words/day goal, even not averaging in that amazingly productive first week.

As you may know, my writing process doesn’t involve a lot of rewriting (unless I absolutely have to, I only edit, not rewrite.  I fix errors, whether typographical, factual, or plot-based, but I don’t go in an polish all the originality out of my prose.  I’ve done that in the past, and it created a dry, soulless style that even my own family members couldn’t stomach … and if you think reading it was bad, trying writing it), nor does my writing style include a lot of formal outlining.

What I tend to do is get somewhat inspired about an idea or topic and write a large number of notes, typing as quickly as my clumsy fingers can fly, including dialog snippets, occasional full scenes, descriptions, plans for the long term, etc.  I’d say better than half of these ideas die off in the development stage, because they don’t have enough complexity and depth to really engage me (and if I’m bored or unhappy when writing something, the reader will be too).

Somewhere in the developmental phase I tend to write two ‘plot summaries,’ one based on Algis Budrys’ seven parts of a story, the other based on Don Miller’s definition of a story as “someone who wants something and overcomes obstacles to get it.”  Between the two, they keep me focused on maintaining a solid, flowing narrative, with an active main character (one that things don’t just happen to, but who makes things happen), with solid motivations, who overcomes hardships and even makes sacrifices in order to get what he (or she) wants.

How far they’ll go, and how much they’ll risk or give up, is often what makes the story worth reading.  Or writing, for that matter.

  • Calendar

    • December 2017
      M T W T F S S
      « Aug    
       123
      45678910
      11121314151617
      18192021222324
      25262728293031
  • Search